Yesterday I left you with a slight teaser of TOROBAKA and a glimpse into the magical synergy that dancers Akram Khan and Sylvie Guillem exhibited in “Sacred Monsters”. Today as I woke up, this exploration into the the-indefatigable-akram-khan seemed incomplete, and hence I thought I would present to you little snippets of his genius, his performance, and his passion for the art form. … Continue reading Can’t Let go : Akram Khan
Getting back to our upward trajectory of exploring the dancers body, we left off at Hands – the Power of Two, and now we are back with the Head as part of the 45 Days of Dance Stories blogging project. As a classical dancer, especially a Bharatnatyam Dancer, when I think of the head and its uses, I immediately think of Greeva Bheda or Sheero Bheda. … Continue reading Head : Greeva Bheda, the Science of head movements.
Since yesterday (the 2nd of December 2014) and the post Shiva, Shakti, Laasya, my thoughts have been pre-occupied by Lord Shiva as the Lord of Performers and Dance. Known in this avatar as Nataraja, his physical personification (as seen in the image above) can be attributed to the bronze sculptors of the Chola Dynasty in South India from 10th Century A.D. This dancing figure of … Continue reading Nataraja – The Lord of Dance
When we talk of Bharatanatyam and the course of its journey from east to west there is only one women and her discipline and delight in this form of classical Indian Dance that truly complete that story, and that is none other than Balasaraswati. Born to one of the last musical families of the South of India, Bala’s historical import in the modern … Continue reading A Dance story for 29th November 2014 : Balsaraswati