Gabriele Viertel shoots underwater.

    I came across this female, german photographer based out of the Netherlands in 2012, in an issue of Vogue Italia. For me the photographs were extremely painterly, it is only upon reading about the artist and her technique that I learned that Gabriele Viertel shoots underwater. She likes her subjects to be layered in fabric, thus playing on the interaction of light, fabric, … Continue reading Gabriele Viertel shoots underwater.

Lois Greenfield and Dance Photography

The first time I saw Lois Greenfield’s photography was at a dance studio where someone had pasted a downloaded grainy image of a visual that burned itself in all its reproduced beauty onto my retina. It was a of Sam Mosher – the man in motion is synonymous for modern dance and his collaboration with Lois Greenfield and the camera lens is a synonym for … Continue reading Lois Greenfield and Dance Photography

The Photographic Image as Found-Object

The 1960’s sees artists such as Rauscheneberg and Warhol react against the Greenbergian philosophy of “form must follow function” where the medium/material used by the artist must dictate the artwork created. They dismiss this notion and begin drawing inspiration from Duchamp and Surrealism. They are not alone in this breaking from “prescribed media for prescribed creations” within art philosophy. Across the Atlantic in the 60s … Continue reading The Photographic Image as Found-Object