I remember getting english homework in junior high that guided us to write our own Haiku’s. The example we were given to follow in the 5-7-5 On (or translated as syllables for writing one in English) was : A caterpillar, this deep in fall– still not a butterfly. I didn’t know then that the example we were given was of the great and revered Japanese … Continue reading There is nothing you can see that is not a flower; There is nothing you can think that is not the moon.
Yesterday we left Artaud urging the true Surrealist to amputate the mind! In fact Artaud takes this directive further and claims that the ‘surrealist’ has judged the mind and in doing so he has discarded with the “my” and “only mine” aspect, thereby making him – emotionless and dreading the moment in which he will find himself with a critical mind. So free of the … Continue reading Antonin Artaud Part II
Is the Natya-Shastra a manifesto and tool for the contemporary artist ? According to me, it absolutely is – Yes! The Natya-Shastra, an approximately 2210 years old text with the main purpose, as I see it- is that this was and is a text that offers an infrastructure for the dissemination of creative knowledge. This infrastructure has been applied up to the … Continue reading The Natya-Shastra – Manifesto & Tool
In the City of Amir Khusro and Ghalib, where couplets are inscribed in the very air that you breathe, where odes have been written of unrequited love and the pain of separation from the Divine. It is in that city – Delhi – where the search for satiating one’s heart, mind, body and soul begins with verse and ends in verse. In the shadows … Continue reading Delhi – The City of Poets
What got me to the ARTfutures exhibit in the spring of 2007, wasn’t the much advertised tag line that touted this fair to be “the” most affordable leg-in to the world of collecting Contemporary Art, but the enthusiasm of my fellow colleagues and peers at Sotheby’s. Plus, the promise of a hot gastro-pub meal at the end of the night, Thai no less, wasn’t something that I, on … Continue reading ARTfutures and Oliver Clegg
Playing the part of ‘Alice’ in a Bharatnatyam adaptation of “Alice through the looking glass” is a treasured experience. It was a first hand viewing of how very little is lost in translation when ideas are presented through a creative medium. What intrigued me most at the age of eleven was how the audience was the missing piece of the equation. With them present, we … Continue reading Me the Curator