The 1960’s sees artists such as Rauscheneberg and Warhol react against the Greenbergian philosophy of “form must follow function” where the medium/material used by the artist must dictate the artwork created. They dismiss this notion and begin drawing inspiration from Duchamp and Surrealism. They are not alone in this breaking from “prescribed media for prescribed creations” within art philosophy. Across the Atlantic in the 60s … Continue reading The Photographic Image as Found-Object